Garth Paine
Username: Garth PaineParticipant details | Network Member | Garth Paine | | Organisation/Institution | University of Western Sydney | | Department/Centre | School of Communication Arts | | Lab | MARCS Auditory Labs | | Website | http://www.activatedspace.com | | Research area | Music Perception and Production
Computer Music
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Research InterestsDr Garth Paine is internationally regarded as an innovator in the field of
interactivity in new media arts. He was the organiser of the Workshop on Interactive Systems in Performance (WISP) for the HCSNet Summer School in 2005, and is driving the establishment of a new research environment at UWS (the Virtual, Interactive, Performance Research Environment (VIPRE)).
His immersive interactive environmentshave been exhibited in Australia, Europe, Japan, USA, Hong Kong and New Zealand. He will perform at the Centre Pompidou and the Centre Xenakis in Paris in June 2006 with his ensemble SynC (http://www.syncsonics.com).
He has been part of the organising and peer review panels for the
International Conference On New Interfaces for Musical Expression (NIME)
since its inception and invited as guest editor of Organised Sound, a
pre-eminent international journal on music technology published by Cambridge
University Press. He is often invited to run international workshops on interactivity
for musical performance and commissioned to develop interactive system for
realtime musical composition for interactive dance and theatre performances.
He has been selected as one of ten creative professionals internationally
for exhibition in the 10th New York Digital Salon; DesignX Critical
Reflections, and as a millennium leader of innovation by the German Keyboard
Magazine in 2000.
Dr Paine has been awarded the Australia Council for the
Arts New Media Arts Fellowship at RMIT University in 2000, and The RMIT
Innovation Research Award in 2002, and has been a CI on a number of
successful ARC grants. He is a member of the advisory panel for the
Electronic Music Foundation, New York and one of 17 advisors to the UNESCO
funded Symposium on the Future, a project focused on formulating an evolving
set of principles (theory), that describes a taxonomy, design space of
electronic musical instruments. He is oftern a member of review panels for the Australia Council for the Arts.
Dr Paine was the only Australian artist selected in 2004 for the Sonic Difference exhibition at the Biennale of Electronic Arts, Perth.
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